Creative learning assessment: Difference between revisions

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[[category:Evaluation methods and grids]]
 
== The CLA ==
 
{{quotationbox|The CLA Creative Learning Continuum, with cross-curricular and cross-age dimensions of learning, proved a clear, informing and open structure for reflecting on progress. Based on CLPE’s Patterns of Learning continuum (1990), it comprised:
 
(i) confidence, independence and enjoyment
 
(ii) collaboration and communication
 
(iii) creativity
 
(iv) strategies and skills
 
(v) knowledge and understanding
 
(vi) reflection and evaluation. (Ellis ????:317)
}}
 
=== The CLA observation framework ===
 
{{quotation|The CLA observation framework allows teachers space to record what they are noticing while children are working on a creative project. It asks questions like: ‘In what ways are children able to take risks and experiment in their learning?’, ‘Do they generate ideas, questions and make connections?’, ‘Are there examples of responding to and commenting on their own and other people’s work?’}} (Ellis ????:319).
 
Ellis: (????:318) provide an example observation grid including each of the six creativity contexts. If we understood right, these items are not standardized and can be expanded or adapted to context.
 
;(i) confidence, independence, enjoyment, e.g.
: developing pleasure and enjoyment
: engagement and focus
: empathy and emotional involvement
: self-motivation
;(ii) collaboration and communication, e.g.
: works effectively in a team
: contributes to discussion, makes suggestions
: listens and responds to others
: perseveres, overcomes problems
: communicates and presents ideas
;(iii) creativity, e.g.
: is imaginative and playful
: generates ideas, questions and makes connections
: risk-takes and experiments
: expresses own creative ideas using a range of artistic elements
;(iv) strategies and skills, e.g.
: identifies issues and explores options
: plans and develops a project
: demonstrates a growing range of artistic/creative skills
: uses appropriate subject specific skills with increasing control
; (v) knowledge and understanding, e.g.
: awareness of different forms, styles, artistic and cultural
: traditions, creative techniques
: uses subject specific knowledge and language with
: understanding
;(vi) reflection and evaluation, e.g.
: responds to and comments on own and others’ work
: responds to artistic/creative experiences
: analyses and constructively criticises work
 
=== The CLA scale ===
 
* Level 1:
 
 
== Bibliography ==
 
* Craft, A. (2005). Creativity in Schools. Tensions and Dilemmas. Abingdon: Routledge.
 
* Craft, A. 2005; Craft, A., Burnard, P. and Grainger, T. (2005), Progression in Creative Learning (PICS) Open University Press.
 
* DCMS (2002). Creative Partnerships Mission Statement. London: DCMS.
 
* DfES (2003). Excellence and Enjoyment: a strategy for primary schools. London: DfES.
 
* DfES (2005). Every Child Matters. London: HMSO.
 
* Eisner, E. (2000). The Arts and the Creation of Mind. New Haven, CT: Yale University Press.
 
* Ellis, Sue (????), Creative Learning Assessment (CLA): a framework for developing and assessing children’s creative learning. [ http://ec.europa.eu/education/lifelong-learning-policy/doc/creativity/report/cla.pdf PDF]
 
* Ellis, S., Barrs, M. and Bunting, J. (2007). Assessing Communication and Learning in Creative Contexts. London: CLPE/CfBT
 
[[category: evaluation methods and grids]]
[[Category: affect and motivation]]

Revision as of 12:40, 16 August 2011

Draft


The CLA

The CLA Creative Learning Continuum, with cross-curricular and cross-age dimensions of learning, proved a clear, informing and open structure for reflecting on progress. Based on CLPE’s Patterns of Learning continuum (1990), it comprised:

(i) confidence, independence and enjoyment

(ii) collaboration and communication

(iii) creativity

(iv) strategies and skills

(v) knowledge and understanding

(vi) reflection and evaluation. (Ellis ????:317)

The CLA observation framework

“The CLA observation framework allows teachers space to record what they are noticing while children are working on a creative project. It asks questions like: ‘In what ways are children able to take risks and experiment in their learning?’, ‘Do they generate ideas, questions and make connections?’, ‘Are there examples of responding to and commenting on their own and other people’s work?’” (Ellis ????:319).

Ellis: (????:318) provide an example observation grid including each of the six creativity contexts. If we understood right, these items are not standardized and can be expanded or adapted to context.

(i) confidence, independence, enjoyment, e.g.
developing pleasure and enjoyment
engagement and focus
empathy and emotional involvement
self-motivation
(ii) collaboration and communication, e.g.
works effectively in a team
contributes to discussion, makes suggestions
listens and responds to others
perseveres, overcomes problems
communicates and presents ideas
(iii) creativity, e.g.
is imaginative and playful
generates ideas, questions and makes connections
risk-takes and experiments
expresses own creative ideas using a range of artistic elements
(iv) strategies and skills, e.g.
identifies issues and explores options
plans and develops a project
demonstrates a growing range of artistic/creative skills
uses appropriate subject specific skills with increasing control
(v) knowledge and understanding, e.g.
awareness of different forms, styles, artistic and cultural
traditions, creative techniques
uses subject specific knowledge and language with
understanding
(vi) reflection and evaluation, e.g.
responds to and comments on own and others’ work
responds to artistic/creative experiences
analyses and constructively criticises work

The CLA scale

  • Level 1:


Bibliography

  • Craft, A. (2005). Creativity in Schools. Tensions and Dilemmas. Abingdon: Routledge.
  • Craft, A. 2005; Craft, A., Burnard, P. and Grainger, T. (2005), Progression in Creative Learning (PICS) Open University Press.
  • DCMS (2002). Creative Partnerships Mission Statement. London: DCMS.
  • DfES (2003). Excellence and Enjoyment: a strategy for primary schools. London: DfES.
  • DfES (2005). Every Child Matters. London: HMSO.
  • Eisner, E. (2000). The Arts and the Creation of Mind. New Haven, CT: Yale University Press.
  • Ellis, S., Barrs, M. and Bunting, J. (2007). Assessing Communication and Learning in Creative Contexts. London: CLPE/CfBT