Hotfix stone: Difference between revisions

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* Create a template from thin cardboard.  
* Create a template from thin cardboard.  
* Thickness does not matter much if the stones stick out well and if it is thick enough for the "brushing method).  For example, 1mm of SS20 stones was OK, but probably less is wanted for SS16.
* Thickness does not matter much if the stones stick out well and if it is thick enough for the "brushing method).   
I measured the hight of the rhinestones I got (don't know what brand they are):
* SS16 - 1.5mm height
* SS20 - 2mm height
* SS34 - 3mm height
For example, as shown in the tests below, 1mm of SS20 stones was OK, and 0.7mm was OK for SS16. I don't know if 1mm would be OK for SS16.


I measured the hight
The template should be flat, but you can tape it down if it bends a little.


=== Use the template in the heat press ===


=== Use the template in the heat press ===
Below are the steps. Follow all of them and think ! Since this procedure is not document in other places as far as I can tell you may experiment a bit.


* Put the cloth on the heatpress (just one layer, else insert baking paper between the layers)
# Put the cloth on the heat press (just one layer, else insert baking paper between the layers)
* Put the template on top
# If the cloth is wrinkled, heat the press and press for 4 seconds.
* Insert the rhinestones as above (e.g. pour a big pile of stones on top and then use some piece of soft foam to insert them into the holes)
# Put the template on top of the smooth cloth and tape it down on the edges.
* Make sure that every stone is flat and there are not stones left
# Insert the rhinestones as above (e.g. pour a big pile of stones on top and then use some piece of soft foam to insert them into the holes)
* Heat for 20 seconds at 200C  
# Make sure that every stone is flat and that there are not stones left
# Heat for 20 seconds at 200C
# Wait to let it cool down ! Do not remove the cardboard before the stones are cold again


[[file:hotfix-first-design-before-pressing.jpg|600px|none|thumb|Before heating. Template will remain in the heat press]]
[[file:hotfix-first-design-before-pressing.jpg|600px|none|thumb|Before heating. Template will remain in the heat press]]

Revision as of 11:02, 20 October 2017

Introduction

Hotfix or (hotfix stones) are decorations like rhinestone, rhinestuds, nailhead, etc. that can be glued to on textiles or other materials by heating them.

See also:

“Flatback crystals which are often called rhinestones have a faceted face one side and a flatback on the opposite side usually with a foiled backing. They are available in a range of materials the cheapest being acrylic and the highest quality and most expensive Swarovski Crystal. They come in a range of shapes and sizes the most popular of which being the circular flatback you can see above which are used for crystallizing such things as nails, lips, clothing, footwear, statues, artwork, gadgets and much more…” (Guide to Using Flatback Crystals (Oct 2, 2017).

According to Wikipedia, “Hot fix rhinestones, also called heat transfer rhinestones, are mainly used for apparel. The flat bottom of the stone has a glue backing and when heated melts onto the surface of the clothing. These can be adhered using a regular iron, however, it is recommended to use a heat press, as they are able to reach higher temperatures (standard transfers require temperatures of up to 180–200 °C (350–400 °F), which regular irons are not capable of) while applying heavy pressures resulting in a more professional standard quality.” (Oct 2, 2017).

Hotfix stone sizes

Rhinestones size are either defined with "ss" (stone size) or pp (pearl plate). PP is a more precise measure.

According to Guide to Using Flatback Crystals (Oct. 2017), as general guide, the following sizes are used:

  • ss3 – ss7 : Nail art (7 being the more popular size)
  • ss8 – ss10 : Generally used for filler crystals, tiny objects or creating intricate artwork with crystals in conjunction with other crystal sizes.
  • ss12 – ss20 : Footwear, clothing or accessorizing gadgets.
  • ss30 – ss48 : Clothing especially dance costumes to add some sparkle.

According to Creative Crystal, customers, prefer 4mm (16ss), 3mm (10ss) and 7mm (34ss) in that order. While SS16 allow for fairly good filled lettering or other details, working with small stones is a real pain ! I suggest that beginners should start with SS20 (4.6 to 4.8mm depending on the make) or bigger. Below a picture of brushing SS16 stones into a template.

Brushing SS16 stones into a template

The procedure for computing the rough amount of stones needed:

  • Compute the surface in mm: width X length if you have a square
  • Select the stone size in mm
  • Divide surface / stone_size

Example: A filled circle of 10 cm (that is quite a lot !) to filled with stones that have a width (diameter) of 5mm.

  • Surface of circle formula: radius2 * PI
  • Surface: 3.14 * 502 = 7854 mm2
  • SS22 surface: 52 = 25 mm2
  • Stones needed: 7850 / 25 = 314

Size table

The following table includes approximate rounded mm values. Various source on the Internet include contradictory information. Do not trust these values, verify with other sources please. Also, different manufacturers, may use somewhat different sizes. Sizes in bold are supported by the Hotfix Era software. Sizes of 6, 10, 16, 20, 30, 34 and 40 can be easily found with online retailers such as AliExpress or Amazon.

ss pp ø mm ø Svarovski Typical Height mm
000 1 0.8 - 0.9
00 2 0.9 - 1
0 3 1.0 - 1.1
1 4 1.1 - 1.2
2 5 1.2 - 1.3
6 1.3 - 1.35
3 7 1.35 - 1.4 1.4
8 1.4 - 1.5
4 9 1.5 - 1.6 1.6
10 1.6 - 1.7
5 11 1.7 - 1.8 1.8
12 1.8 - 1.9
6 13 1.9 - 2.0 2.0
14 2.0 - 2.1
7 15 2.1 - 2.2 2.2
16 2.2 - 2.3
8 17 2.3 - 2.4 2.4
18 2.4 - 2.5
9 19 2.5 - 2.6 2.6
20 2.6 - 2.7
10 21 2.7 - 2.8 3.0
11 22 2.8 - 2.9
11½ 23 2.9 - 3.0
12 24 3.0 - 3.2 3.2
13 25 3.2 - 3.3
13½ 26 3.3 - 3.4
14 27 3.4 - 3.5 3.5
14½ 28 3.5 - 3.6
15 29 3.6 - 3.7
15½ 30 3.7 - 3.8
16 31 3.8 - 4.0 4.0 1.5
17 32 4.0 - 4.2
17½ 33 4.1 - 4.2
18 34 4.3 - 4.4
18½ 35 4.5
19 36 4.5 - 4.6
19½ 37 4.5
20 - 4.6 - 4.8 4.8 2
21 - 4.8 - 4.9
22 - 4.9 - 5.0
23 - 5.0 - 5.2
24 - 5.2 - 5.4
25 - 5.4 - 5.6
26 - 5.6 - 5.8
27 - 5.8 - 6.0
28 - 6.0 - 6.2
29 - 6.2 - 6.4
30 - 6.4 - 6.6 6.5
31 - 6.6 - 6.8
32 - 6.8 - 7.0
33 - 7.0 - 7.2
34 - 7.2 - 7.4 7.0 3
35 - 7.4 - 7.6
36 - 7.6 - 7.8
37 - 7.8 - 8.0
38 - 8.0 - 8.2
39 - 8.2 - 8.4
40 - 8.4 - 8.7 8.5
41 - 8.7 - 9.1
42 - 9.1 - 9.5
43 - 9.5 - 9.8
44 - 9.8 - 10.1
45 - 10.1 - 10.5
48 - 10.9 - 11.3 11
50 - 11.7 - 12.0
60 - 14.2 - 14.5
63 - 15.0 - 15.2
70 - 16.7 - 17.0
80 - 19.2 - 17.5
83 - 20.0 - 20.2

Software

Embroidery software

Stitch Era includes an optional module for hotfix designs. It can output design stencils or templates that can be printed with different laser and vinyl cutters.

The software allows drawing shapes that then can be filled with slots for stones according to several parameters.

Online auxiliary tools

(to do)

Textiles and hotfix stone varieties

Materials for hotfixing

Hotfix stones on non-textiles

Hotfix stones can be applied to variety of textiles and other materials. According to Understanding Hotfix by Harman, hotfix rhinestones should only be used when the material it is being applied to has all of the following attributes:

  1. Heat resistant (min of 250°F/ 120°C) (e.g most plastics are not heat resistant)
  2. Resistant against pressure
  3. Porous/Absorbent - it does have any waterproof or other coating that would make it non porous. The water drop test is a quick and easy way to get an initial idea of the absorbency of the carrier material. Apply a couple of water drops onto the carrier material. If the material quickly absorbs the drops, it offers good absorbency. If the water pearls off the carrier material, or if it takes a long time to be absorbed, the material offers insufficient absorbency.

They also provide a list of unsuitable fabrics, e.g. very tightly woven textiles, extremely thin fabrics, smooth leather and smooth imitation leather and water repellant treated materials.

Hotfix stone varieties

Hotfix Rhinestones come in several varieties and qualities.

  • Swarovski Rhinestones are the best quality in any color. They have a 14 facet cut for most of the size from SS10 --SS40. For smaller ones, they use a 12 facet Cut. 100 4mm (SS 16) can cost between 5 and 20 Euros on Amazon.fr
  • Preciosa Rhinestones also have a 14 faceted cut in larger sizes and are much cheaper than Swarovski stones, e.g. 350 SS16 cost 5 Euros on Amazon.fr
  • DMC rhinestone (Diamant Machine Cut) is a korean rhinestone company or comparatively high quality, but cheaper than Swarovski. E.g. 1000 SS 16 can cost 10 Euros. On AliExpress I have seen offers for 1440 pieces at $5.

Applying hotfix stones

To position hotfix stones, it is best to use a template made with a laser or a vinyl cutter. The template allows positioning of the stones. If you use an iron or a heat press, you can keep the template in place. However, make sure that it is heat resistant, e.g. in particular never use vinyl with PCB inside since burned vinyl releases very dangerous combat gas !

Principle

Hotfix stones can be fixed with different methods. All of them are defined by four parameters

  • Amount of heat depends on the maker. E.g. Swarovski has a range of 120 °C to 170 °
  • Time: E.g. max. 20 seconds for 160 °C and 60 seconds for 120 °C when applied from the front.
  • Pressure: A certain amount of pressure must be applied but not too much since otherwise the glue will spread out. Also if you use an applicator the stone can either get stuck in the opening or not stick, i.e. you will have to find a good compromise.
  • Side of application (from top or from underneath)

Both time and heat parameters are highly connected. Higher temperature requires less time.

Before using any tool / textile / stone combination for real, do a test !!

Hardware for hotstone application

Probably the best bet for a beginner is to start using a cheap hotfix applicator. Presses are fairly expensive and working with an iron is a bit more tricky.

As a general rule:

  • position the fabric on a surface that is heat resistant, e.g. a sheet of metal or a heat-resistant cutting mat
  • separate layers of fabric underneath with baking paper, else they may be glued together
  • Make sure to heat enough (at least 120 degrees and make sure that the textile will not melt, i.e. do not use plastics)

Hotfix applicators

Hotfix applicators are cheap devices that look a bit like a soldering iron. They allow heating a hotfix stone one by one. It includes removable ends that will adapt to various hotfix forms. Better ones can aspire the stones. A cheap application costs about 10 Euros. One that includes a vacum mechanism is about 100.-

There are two variants:

  • Grab a stone from the top. If you are lucky it should stick, then let it heat. As soon as the glue softens or boils, press it down a few seconds.
  • Put the stone on the textile. Then then press the hot applicator down.

In both cases, you can apply a very slight rotational movement to make sure that each part sticks. But do not move the stone and do not apply too much pressure.

Iron without holes

A simple iron (without holes) also can do, heat it to 150°C (that is position 2 on a normal iron). Put cardboard or baking paper underneath the cloth and then put either some baking paper or a flat kitchen towel in between the iron and the stones. Alternatively you can buy more professional fabrics, e.g. teflon-based instead of baking paper. Press it down for about 30 seconds for stronger fabrics.

Heat Press

A heat press or transfer press (presse à chaleur, Hitzepresse, Transferpresse) can glue a whole set. Heat presses also can be used to transfer other materials, in particular cut out heat resistant plastics and textiles. A good beginner's machine can cost 400 to 500 Euros, but one can find $200.- models on sale. High end models can cost from 1500.- to 2000.- There are a huge amount of various makers and vendors. Most do not include information about suitability for hot stone application. See below for more details.

Ultrasonic devices

This looks an applicator but works with ultrasonic fiction as opposed to a heated end. More expensive. It allows to pick up a stone.

Stone setting machines

Used in mass fabrication. Stones are placed and heated with a machine.

Templates for hotfix

Templates are based on drawings that show position for each stone, typically with a circle. Hot fix software, like Hotfix Era eases the design process.

There are two ways of using templates:

  • Cut out the template with a laser cutter or a cutting plotter. Glue a sheet of something (e.g. thick paper) underneath. Then fill the template with rhinestones. Transfer the stones to a textile using a transfer sheet. Thickness of template should be 0.5mm, but it can be higher for large stones (e.g. SS 24).
  • Print a page with the design. On top, put transfer paper, sticky side up. Then manually put the stones upside down (flat side up) on the sticky paper. Then transfer as above on top of a cloth.

Fabrication with a template, transfer paper and a heat press

This section shortly explains how to apply hotfix stones with a heat press, positioning the stones with a template and then transferring it to a heat press. The principle can also be used with a hot iron.

Heat transfer press specifications

Your heat press (we believe) should have the following specification.

  • has a large opening or a lateral swivel swing (Schwenkarm) or a drawer style lower plateu. A swivel press is probably best if you plan to improvise a bit. E.g.
  • it should provide even pressure and temperature
  • it should auto-adjust pressure to uneven textiles with springs and somewhat flexible mats.
  • allows height/pressure adjustment, i.e. dealing with the somewhat larger height of hot stones by moving the heat plate up or down with a "pressure knob"
  • anti-sticking coating (e.g. teflon)
  • 38 x 38cm size should be enough (15x 15)

In addition you may need a silicon mat to put underneath and a teflon sheet (else use baking paper).

From template to design

The usual procedure for design with lots of hot stones seems to be the following:

(1) Create a template, e.g. with some specialized software like Stitch|Era that you can then print with a laser cutter or a vinyl cutter. Search for "Rhinestone template material". I used both free compact cardboard and acrylic made for laser cutting. Once you cut the template glue some thick paper to the bottom, i.e. you want the stones fall through. However, also read my own more simple method in the section.

Glue some thick paper to the bottom of your templates

(2) Put the rhinestone into the holes and make sure that all are in position.

  • To do so, put a whole big lot of stones over the stencil and then gently brush forth an back with a form brush or a piece of flat foam
  • Make sure that there nor extra stones left and that each stone is in position
Brush stones into the hole with a foam brush (or piece of soft packing foam)
Both cardboard and acrylic work (but do not insert acrylic into a heat press!)

(4) Once the stones are in place, put a heat resistant rhinestone transfer paper on top and press it down. Some transfer paper, e.g. the one that would use for textiles may not have enough glue and the stones will not stick. Buy something that is better or you will loose some hours to frustration ...

(5) Put the cloth in the press and (optionally) preheat for 5 seconds to get moisture out.

  • If you have two layers of cloth (e.g. a T-shirt), put some baking paper, teflon sheet or similar between the layers. Else, glue will not just glue the stones but also the textiles together ...
  • Apply the transfer sheet with the attached stones on top of the cloth. Make sure to aim for the right place and directions. Stretch out the transfer sheet, then press it down from the top. Ask a second person for help if needed.

(6) Heat for about 10 to 20 seconds (needs some more precision)

  • Let it cool down entirely, then peel away the transfer sheet.
  • Make repairs with a stone applicator if needed or press the design again.

Some tips

In order to do this well, you need:

  • Template material that can be cut either with a cutting plotter or a laser cutter.
    • If you use a cutting plotter, you can buy specific materials from the maker of your cutter, e.g. Cameo sells a rhinestone starter kit.
    • If you use a laser cutter, any material can do, e.g. thin cardboard or acrylic sheets. The stones must stick out else you cannot apply the transfer paper. 0.5 mm is a good size probably but it is difficult to find used cardboard that has this thickness.
  • Heat resistant transfer material, e.g. search for "hot fix rhinestones transfer paper" (or "feuilles de transfert strass" in french).
    • If you use a laser cutter, make very sure not to use vinyl-based plastics (it will attack your lungs).
  • Some backing board
  • A brush (e.g. a foam paint brush works well, a toothbrush less well). You also can try soft foam that came with some packing. If you want to buy, search for "rhinestone sweep brush".

Many videos on Youtube explain the process. Most also promote specific products. Search for "Heat Press Rhinestone Transfer".

I wonder if this could be done without transfer paper. I.e. put the cloth in on the heat press, the template on top, the rhinestones inside, then heat and press down. That procedure would need a press that can be sufficiently opened plus heat-resistant template material, e.g. cardboard should do. A variant would be: put the cloth on some thin plate, template on top, brush rhinestones, then move the whole thing into the press, then apply.

Using a template and a heat press the simple way

Since I was frustrated by some transfer paper onto which the stones would not stick, I came up with a more simple solution on day one (i.e. my first design testing the newly arrived heat press)

I first created two designs using some nice acrylic plastic (because I didn't have any free cardboard at hand). Since the transfer paper method did not work I found some cardboard raiding the cupboards and did it again

Laser cutting 0.8mm Trolase acrylic sheets

Create a cardboard template

  • Create a template from thin cardboard.
  • Thickness does not matter much if the stones stick out well and if it is thick enough for the "brushing method).

I measured the hight of the rhinestones I got (don't know what brand they are):

  • SS16 - 1.5mm height
  • SS20 - 2mm height
  • SS34 - 3mm height

For example, as shown in the tests below, 1mm of SS20 stones was OK, and 0.7mm was OK for SS16. I don't know if 1mm would be OK for SS16.

The template should be flat, but you can tape it down if it bends a little.

Use the template in the heat press

Below are the steps. Follow all of them and think ! Since this procedure is not document in other places as far as I can tell you may experiment a bit.

  1. Put the cloth on the heat press (just one layer, else insert baking paper between the layers)
  2. If the cloth is wrinkled, heat the press and press for 4 seconds.
  3. Put the template on top of the smooth cloth and tape it down on the edges.
  4. Insert the rhinestones as above (e.g. pour a big pile of stones on top and then use some piece of soft foam to insert them into the holes)
  5. Make sure that every stone is flat and that there are not stones left
  6. Heat for 20 seconds at 200C
  7. Wait to let it cool down ! Do not remove the cardboard before the stones are cold again
Before heating. Template will remain in the heat press
Before heating. Position of stones looks OK

The next pictures shows the result. The colored stones were in the same "crystal" pack as a surprise. Unfortunately they did not have glue at bottom. I only figured that after the second attempt to press them down. In other words, the same design had been pressed three times with no apparent damage. The last version only includes the clear stones and do have glue.

After cooling down and removing the cardboard.

Tips

Disadvantage of this method may be that the cardboard can change its form after heating. Avoid cardboard with paint. On the positive side, it seems that paint found on a typical cardboard box for office supplies does not melt. See the two pictures below. Also the wrapping is probably due to the fact that one side had paint and the other did not.

Warped cardboard after use
Warped cardboard back

You should tape down the cardboard before setting the stones. Use short length of tape and make "handles" so that you can pull the tape away again before printing. Alternatively, use heat resistant tape such as Kapton. Ask a 3D-printing friend for some or order it from an online outlet.

Taped template for SS16 stones

The picture below shows the result. It's not an artistic master piece. Choice of colors is bad, design could be improved. But at this stage (our second hotfix) we were just testing the transfer method and therefore we are happy with the result.

SS16 stone design (our second hotfix design and print)

Links

Various

Heat presses