Sculptris

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Introduction

Sculpris is a very easy, yet powerful artistic modeling application. Basically you start from a geometric form (e.g. a ball or whater and then sculpt/deform with various tool "brushes". E.g. you can crease, grab, draw, flatten, smoth, etc.

Sculptris (alpha aka 1.02) was developed by Tomas Pettersson and will be further developed by Pixologic: “Sculptris has captured the hearts of artists with its fun, intuitive and user-friendly interface - indeed a perfectly sweet companion to our big monster ZBrush! Tomas will be moving to California, from Sweden, to join our team. It is our pleasure to welcome Tomas and we look forward to a fruitful collaboration on future Pixologic projects [...] Pixologic would also like to give you a little appetizer ‘goodie’, an Alpha version of Sculptris for Windows - a unique, very ‘cool’ artistic modeling application still in raw baby stage and now incubating at Pixologic HQ. The current version, formerly known as Sculptris 1.02, will be renamed under Pixologic banner as Sculptris Alpha 5.” (A Gift From Pixologic, 07-23-10, retrieved nov. 18 2010.

Sculptris is based on dynamic tesselation.

Before you start

Print out a good cheat sheet
Basis are *.obj files

With scultris you start by working on a simple ball or a plane, but you could import any *.obj file. However, in the latter case, symmetry operations won't always work correctly, i.e. if you already have two arms attached to an object, Sculptris won't know about this.

Sculptris (as of 2010/early 2011) is alpha software. Therefore save frequently !!

Symmetry

By default all operations are symmetrical, i.e. if you pull out something to the "left" it will also pull out to the "right".

You can turn "Symmetry" off if you like. When you turn it on, the object will be symmetrical again.

When you import an *.obj file, symmetry may be off, therefore turn it on if you work on structures like a human.

Brushes and tesselation
  • You can set the "Brush/Tool" Size and Strength with the rules on top middle.
  • However, these don't define how many new triangles will be created when you draw, inflate, grab. etc. This is done with the Detail [Q] slider. For starters keep in the middle. When it is to the left (0), Sculpris will not any new triangles.
Views
  • mouse-middle to orbit around the object, i.e. rotate it to look at it from a different angle. (So this won't rotate the coordinates of the object, just your view).
  • mouse wheel to zoom in/out and (if necessary)
  • Shift-middle-mouse to pan (move it left/right or up/down).
Wireframe and triangles
  • Click on wireframe to see the structure (at least when you feel that Sculptris has trouble). Reduce triangles with reduced selected tool or the reduce brush if the program starts being being slow. In fact, rather learn how to anticipate using the detail tool.

Basic modeling procedure

(1) Define the very rough shape of the object

  • Use the Grab [G] tool for the very rough work, set the brush size and pull out. Make sure to untick Global and Limit.

(2) Use the Grab tool with limit ticked to modify things that stick out

(3) Use the other various sculpting tools to define the rough shape

Sculptris for Rapman/RepRap modeling

Sculptris is an interesting tool for modeling objects that then can be printer with low-cost fabbers like the Rapman. Sculptris imports/exports *.obj files. With Meshlab they can easily be translated to *.STL if needed. Skeinforge does import *.obj but I never tried.

Here is a rough outline of the workflow

  • Start either the default globe or with an object that has more or less a flat bottom. If the object is very low poly, subdivide first using the subdivide all tool for example.
  • If you want to speed up g-code generation, reduce the meshes after you are done sculpting.
  • Translate to STL, e.g. with Meshlab
  • Position and repair with Netfabb
  • Translate to g-code and print

the sculpting tool set

Drawing options

Positive vs. negative effect

  • Depending if you select a tool with the left or the right mouse button you either produce a default/positif effect or an inverse/negative effect. E.g. with the draw tool, you either either add volume or carve out volume.

Detail (number of polygones)

  • With the detail slider you can control how many triangles the the brush will add. If you set it to zero, none will be added.
  • You periodically you should reduce unneed polygones. The easiest method to do so, is to press several times Reduce selected. Alternatively, the Reduce brush will optimize areas that you brush over. Drag it from rougher to complex areas !
  • Always or sometimes put wireframe [W] on in order to control details

Size

  • Sets the size of the brush.

Strength

  • Sets the strength of the effect. For rough modeling you probably want this at least at 50%.

List of paint tools

The draw brush

The Draw brush is the most important brush once you have the very structure. Unlike other tools you can use it a few times over the same spot. This is not recommended for the inflate tool.

Options
  • Clay: Recommended to paint layers upon layers (like you would do with clay)
  • Soft: Produces more rounded edges

Crease

Is the opposite of draw


Flatten

This tool has several purposes:

  • It is used to reduce areas. Use low to medium strength
  • Is also can be used to make areas more regular.
Options
  • Lock plane will sample the orientation at first contact and then create a flat surface around that has the same orientation. This also means that with this option on, this brush can add materials
  • Angle falloff: Tries to keep near-by planes more intact. I.e. when you flatten a plane, it will not flatten bumps nearby.

Pinch

Will sharpen an existing corner, i.e. one that you created with a combination of draw and flatten

Smooth

Allos to smoth surface and edges. In some ways, it can be considered as an alternative to flatten and an opposite of pinch

Inflate

Inflate is somehow an alternative to the draw tool. Make sure to use it slowly. This tool can both be used on surfaces, edges, tentacles.

  • Pull something out (creating new triangles)
  • Create overhangs

Note: If you want to pull out a lot of volume, do not use this tool, use grab instead.

Grab

By default (options off), drag will drag the selected area (brush size) in a given direction. This is most radical tool for creating tentacles and similar shapes. Once you created a tentacle, the use inflate to make it thicker.

options
  • Limit: Works like the default grab, but the result is much less radical. Allows to drag the selected area into a direction. E.g. you may pull up the corners of a mouth made with draw in order to have your character smile.
  • Global: If global is on then you can move around separate objects in your scene. You can have separate objects when you load in *.obj models. If you want two balls, then turn symmetry off, move the ball to the right and then turn symmetry on again.

Scale

Can adjust proportions of selected areas (smaller or bigger)

Options
  • XYZ: changes sizes proportionally
  • Global: can change the size of an entire object

Rotate

Allows to rotate an area. First provides a starting point and an angle. Once you move out of the circle you then can rotate.

Options:

  • Global: will rotate a whole object

Mask

You can identify an area that defines an untouchable area. Select the mask tool and press the control button.

To undo masking, select the mask, click on Invert and brush.

Use ctrl-F to fill the whole object and space to clear.

Links

Download

Version 1.02 aka Alpha 5

Tutorials and Manuals

Propaganda videos
Training videos
Good training videos are not too easy to find.
Others (but these are too fast for beginners)
Specialized stuff

Shared models

Support

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