Yamaha CVP-509 digital piano
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Just bought one - I will write down a few tricks and tips for absolute amateurs (like I am) and music educators (which I am not) - Daniel K. Schneider 17:41, 9 September 2011 (CEST)
The Interface
The keyboard has a fairly complex Interface. Some functionality can be reached through different paths.
There are various kinds of panel controls, roughly:
- Some buttons that lead to a tool
- Style selection, style control, voice selection, sequencer buttons
- The LCD and related controls (A-J and 1-8 up/down) buttons
- The data wheel + Enter buttons
- The direct access button
- The function button
(more to come, need a good picture first that isn't copyrighted ...)
Voices
Kinds of Voices
- MegaVoices
- are intended for creating sounds with MIDI, e.g. auto-accompaniment
- Super Articulation! (SA) and Super Articulation 2 (SA2)
- implement realistic transition and continuity between notes. Super Articulation 2 implements Articulation Element Modeling (AEM). This adds vibrato and other effects, mainly to wind instruments. For each SA/SA2 voice, pedals can be used to add extra effect. Press the Info (7) button in the Voice Selection display.
- Natural
- Mostly keyboard sounds. These are obtained by various sampling technologies (Stereo Sampling, Dynamic Sampling, Sustain Sampling, and Key-off Sampling).
- Live!
- Quote “acoustic instrument sounds sampled in stereo, to produce a truly authentic, rich sound”
- Cool!
- implement various electronic elements synthetically
- Sweet!
- acoustic instruments
- Live!Drums
- Drum sounds, obtained by dynamic sampling and stereo sampling
- Live!SFX
- Latin percussion instruments, obtained by dynamic sampling and stereo sampling
- Drums
- Various drums and other percussion sounds can be played with the keyboard
- SFX
- Implement some special sounds assigned to individual keys
- Organ Flute
- Allows to configure vintage organs (e.g. a Hammond) with flute footage levers, organ types, rotary speed, vibrato, etc.
Modifying voices
Harmonies and Echo are used by some built-in styles, e.g. Jazz BigBand styles. It's probably a good idea to select such a style and then inspect the voices used. Try for example "Modern Big Band".
- Harmony
- You can play a polyphonic instead of a single voice
- 1) Press the [VOICE EFFECT] button (rectangular button at the extreme right of the keyboard)
- 2) Press the [I] (HARMONY/ECHO) button
- 3) Press the [J] (TYPE SELECT) button
- You can choose between a variety of chords, e.g. two notes, three notes, various 4/5 note variants.
The effective chord that will be played depends both on the selected harmony and type and the chord that is played. I.e. if auto-accompaniment detects a minor chord then the voice of right or right 2 (or the combined) also will be minor.
- Echo type
- Start as above, i.e. bring up the TYPE SELECT tool
- At the bottom of the same menu (as Harmony) you then can define either an echo, a tremolo of a trill and the parametrize these.
- Use the 4-8 buttons to parametrize
- Other parameters
- 1) Select a voice, then Press (6UP / VOICE SET)
- 2) You now can change many parameters using the various TABS
Styles
Styles in Yamaha technology refer to playing rhythm and accompaniment.
To select a style:
- Press a category in the Style selection section, e.g. POP & ROCK or Jazz
- Press one of the A-J buttons in the LCD or use the Datawheel + Enter. Pressing the same style category button will show the next page. Alternatively you could press one of the [1..] buttons at the bottom.
There are two types of accompaniment voices: Rhythm only or full
- To play Rhythm only: the [ACMP ON/OFF] button must be off. Then, press [START/STOP]
- For auto-accompaniment, do as above, but then set the [ACMP ON/OFF] button to ON. You then can either press the SYNC start button in order to start as soon as you press a button, or the START/STOP or the Metronome (tap, tap, tap, tap).
Style types
- Pro (P)
- accompaniment exactly follows the chords of the player.
- Session (S)
- provide even greater realism and authentic backing by mixing in original chord types and changes
- Free Play (F)
- Are characterized by rubato performance. You can perform without being constrained by a strict tempo. I.e. adapts to your speed.
- Pianist (P)
- provide piano-only accompaniment, i.e. arpeggios and bass/chord patterns
Chord fingering types and recognized chords
Accompaniment (styles) can be controlled by the chords played in the chord section of the keyboard. There are seven types of fingering. Switching between chord fingering types is somewhat tedious, and Yamaha should have come up with a faster method, since I believe many people woul like to switch rapidly from full keyboard for piano playing to fingered for playing wind instruments.
To call up the chord fingering tool, there are two methods:
- Press FUNCTION key → Select [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB [E][F] CHORD FINGERING (this is the long method)
- Press the DIRECT ACCESS button, then press the ACMP ON/OFF button (faster method)
In addition, when "full keyboard" or "AI full keyboard" is selected, pressing the [LEFT] button in the Part On/Off section will revert it to fingered. However when you change the style, you will have to press the LEFT button again.
List of types:
- Single Finger
- define major, minor and seventh and minor seventh chords (only) with one to three fingers (see the manual, I don't recommend using this unless you are a beginner)
- Multi Finger
- Does both single finger and fingered (see below). A good alternative for lazy people or advanced beginngers who know some chords but not all
- Fingered
- “Lets you finger your own chords on the chord section of the keyboard, while the instrument supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected Style” (Reference manual, p 17). You need to press at least three keys.
- AI Fingered
- Almost the same as fingered, except that it tries to guess chords played with less than three fingers based on the previous chords.
- Fingered on bass
- Same fingerings as Fingered, but the lowest note played in the Chord section of the keyboard is used as the bass note.
- Full Keyboard
- “Detects chords in the entire key range. Chords are detected in a way similar to Fingered, even if you split the notes between your left and right hands.” (Reference manual, p 17)
- AI Full Keyboard
- Like full keyboard, but tries to be smarter. I.e. the manual claims that you can just try to play about "anything", e.g. not worry about playing full recognizable chords all the time.
Chord recognition
Fingered chord recognition is quite similar between fingered, AI fingered, full keyboard and AI full keyboard, but there are some differences. Recognized chords are best listed in the data list booklet (printed or online). It includes most of the chords that could be found in Jazz lead sheets. However they can't be played in any way since there are ambiguities. E.g. an inverted minor7 is also a major6 like Cm7 with lowest note Eb is EbM6. I don't know if there is a list of recognized voicings, therefore try ! Anyhow, at my level of playing it doesn't matter. Most often, a "wrong" chord sounds fine too :)
Full list:
Chord Name | abbr | alt. abbr | Normal (root position) voicing | C Example |
---|---|---|---|---|
1+8 | 1+8 | C1+8 | ||
1+5 | 1+5 | C1+5 | ||
Major | M or maj or Δ | 1+3+5 | C or CM or Cmaj or CΔ | |
Sixth | 6 | M6 | 1+(3)+5+6 | C6 or CM6 |
Major seventh | M7 | maj | 1+3+(5)+7 | CM7 or Cmaj7 |
Major seventh flatted fifth | M7b5 | 1+3+b5+7 | CM7(b5) | |
Major seventh add sharp eleventh | M7(#11) | 1+(2)+3+#4+5+7 | CM7(#11) | |
Add ninth | (9) | 1+2+3+5 | Cadd9 | |
Major seventh ninth | M7_9 | 1+2+3+(5)+7 | CM7(9) | |
Sixth ninth | 6_9 | 1+2+3+(5)+6 | C6(9) | |
Flatted fifth | (b5) | 1+3+b5 | Cb5 | |
Augmented | aug | + | 1+3+#5 | Caug or C+ |
Seventh augmented | 7aug | +5 | 1+3+#5+b7 | C7aug or CM7+5 |
Major seventh augmented | M7aug | +M7 or +Δ | 1+(3)+#5+7 | CM7aug or C+Δ |
Minor | m | - | 1+b3+5 | Cm or C- |
Minor sixth | m6 | 1+b3+5+6 | Cm6 | |
Minor seventh | m7 | min7 or -7 | 1+b3+(5)+b7 | Cm7 or Cmin7 or C-7 |
Minor seventh flatted fifth | m7b5 | Ø or Ø7 | 1+b3+b5+b7 | Cm7(b5) or CØ7 |
Minor add ninth | m(9) | 1+2+b3+5 | Cm add9 | |
Minor seventh ninth | m7(9) | 1+2+b3+(5)+b7 | Cm7(9) | |
Minor seventh eleventh | m7(11) | 1+(2)+b3+4+5+(b7) | Cm7(11) | |
Minor major seventh flatted fifth | mM7b5 | 1+b3+b5+7 | CmM7(b5) | |
Minor major seventh | mM7 | 1+b3+(5)+7 | CmM7 | |
Minor major seventh ninth | mM7(9) | 1+2+b3+(5)+7 | CmM7(9) | |
Diminished | dim | ° | 1+b3+b5 | Cdim or C° |
Diminished seventh | dim7 | °7 | 1+b3+b5+6 | Cdim7 or C°7 |
(Dominant) Seventh | 7 | 1+3+(5)+b7 | C7 | |
Seventh suspended fourth | 7sus4 | 1+4+5+b7 | C7sus4 | |
Seventh ninth | 7(9) | 1+2+3+(5)+b7 | C7(9) | |
Seventh add sharp eleventh | 7(#11) | 1+(2)+3+#4+5+b7 | C7(#11) | |
Seventh add thirteenth | 7(13) | 1+3+(5)+6+b7 | C7(13) | |
Seventh flatted fifth | 7b5 | 1+3+b5+b7 | C7(b5) | |
Seventh flatted ninth | 7(b9) | 1+b2+3+(5)+b7 | C7(b9) | |
Seventh add flatted thirteenth | 7(b13) | 1+3+5+b6+b7 | C7(b13) | |
Seventh sharp ninth | 7(#9) | 1+#2+3+(5)+b7 | C7(#9) | |
Suspended fourth | sus4 | 1+4+5 | Csus4 | |
One plus two plus five | sus2 | 1+2+5 | Csus2 | |
cancel | 1+b2+2 | Cancel |
Style channels and volume balance
Auto-accompaniment has 8 channels, and you can turn them off/on
- Press the channel on/off button once or twice (below and left of LCD)
- Press the 1-9 UP/DOWN buttons to turn on/off a channel
To adjust the volume balance:
- Call up the main display, either by hitting EXIT (several times maybe) or [DIRECT ACCESS] + EXIT.
- Turn up/down style volume with the [2] UP/DOWN buttons
- Same for the three keyboard voices, right right2 and left: use [5-7]
Chord tutor and display of current chord
In the Chord fingering tool (see above), use the [6-8 UP/DOWN] buttons to select the name of a chord. It then will display the notes to play.
The currently played chord is displayed on the LCD default screen, i.e. exit from any tool by pressing the EXIT button.
Also, Wikipedia has a large set of articles about chords, in particular:
- Musical chord
- Chord names and symbols (jazz and pop music) (best information about chord names and symbols)
- List of chords
- Chord progression
Supported file formats
Midi variants
- General MIDI, GM (Midi level 1) and also MIDI level 0
- XG is a Yamaha midi extension for providing more voices and variations, effects, etc.
- GS is a similar extension from Roland
- XF extends Standard MIDI aka SMF with lyrics
- KAR (only play the midi part, but cannot display the karaoke text)
- TUNE 1000 (commercial karaoke format extension)
Note: For the follow the lights feature, one can assign parts. By default it takes the first two tracks (if I understood right).
Music (audio) formats
- MP3
- WAV, i.e. the typical file format found on Music CD's
Yamaha proprietary
- Yamaha style files (SFF) (.sty extension ?): define style files for the CVP, Tyros and PSR series (to be confirmed !!). SFF GE is an enhanced version for guitar tracks
- Vocal harmony (VH) allows to add vocal harmonies to vocal line sung by the user.
- AEM is a tone generation technology for super articulation voices (see above)
- Pianosoft Disklavier uses what ? (also works on CVP line)
Other
- Roland GS (saved as midi)
Troubleshooting and errors
Before reading on, see FAQs at CVP Users Group Forums !
- Internet connection
- Warning: Only very specific (and I'd say exotic) USB Wireless adapters seem to work. I didn't manage to use a main-stream Zyxel 802.11n 300Mbps. The keyboard wont recognize it.
- Styles and voices
- Sometimes rebooting helps (off switch)
- Sometimes, perceived errors are not errors, but an effect related to the way styles are programmed (harmony, echo). E.g. some styles implement polyphony voices that will remain even you switch the voice. Changing the voice parameters or changing the style is the solution.
- Factory and custom reset
There exist two ways of doing a factory reset, a global reset or resetting only certain parameters. In both cases you will loose data (unless you saved customization on a USB stick)
- Function button -> Utility -> System reset tab -> Press [7]
- Factory reset(s)
- Custom reset(s)
Note: You also can do a full factory reset by holding down the C7 key (right-most key on the keyboard) and then switch the power on. You will loose all data.
- Firmware and PC Drivers
- Occasionally Yamaha releases firmware. Before downloading check your version like this:
- Function->Utility->Owner tab
- Midi drivers for Windows may be outdated on the included CD. E.g. there wasn't any Win 7-64 bit driver. It can be downloaded here:
Links
Manuals
The included print manual is not enough. Some information is available on the included CD, but may not be up-to-date. All the manuals are available at yamaha, in particular:
- Internet Connection Guide (For firmware version 1.10, i.e. 2010/2011). Upgrade the firmware if yours is lower. Adds some extra information with respect to the owners manual.
- Owner's manual this is the same as the CVP-509/5/3/1 included printed owners manual. Useful to download if need to search for something.
- Reference manual. This is a complement of the printed owner's manual. It has extra information, is more concise and some information is easier to find...
User forums
- CVP 500-Series Discussions in the CVP Users Group
- Digital Pianos - Synths & Keyboards Forum in Piano World
Tutorials
- Clavinova CVP Series at Psrtutorials.com. Includes a collection of YouTube video tutorials.
Midi files for download
See:
- List of repositories in the digital music library article.
On some sites you can find files that specifically target the Clavinova CVP series, i.e. it uses Yamaha voices, in particular:
- Clavinova Creations in the CVP Users Group Forums. MIDI files are attached to message
- yamahamusicsoft.com (commercial)
- sheetmusicplus.com (carries PianoSoft titles, search for "pianosoft")
Style files
Not tested so far ! Daniel K. Schneider 00:07, 14 September 2011 (CEST)
- Styles (and Other Files) for your Yamaha keyboard (Made for PSR and Tyros, probably work on CVPs)
- CraftyMusic's Style & Midi Libraries. Made for PSR and Tyros, may work on CVPs ....